I'm still working on getting this page filled with updates on my current endeavours in filmmaking, but for the mean time you can check out a couple films I've created by clicking the Films reel, above.
Tumblr › Featured Film-Related Post:
  • Oscars 2010

    “the greatest promotion scheme that any industry ever devised for itself”

    Legend

    • Probably gonna win
    • Might win / Maybe
    • If I had it my way
    • Better not!
    • Haven’t seen it / Can’t say

    Best Picture

    • Avatar
    • The Blind Side
    • District 9
    • An Education
    • The Hurt Locker
    • Inglourious Basterds
    • Precious: Based on the Novel “Push” by Sapphire
    • A Serious Man
    • Up
    • Up in the Air

    Best Director

    • Kathryn Bigelow – The Hurt Locker
    • James Cameron – Avatar
    • Lee Daniels – Precious: Based on the Novel “Push” by Sapphire
    • Jason Reitman – Up in the Air
    • Quentin Tarantino – Inglourious Basterds

    Best Actor

    • Jeff Bridges – Crazy Heart as Bad Blake
    • George Clooney – Up in the Air as Ryan Bingham
    • Colin Firth – A Single Man as George Falconer
    • Morgan Freeman – Invictus as Nelson Mandela
    • Jeremy Renner – The Hurt Locker as Sgt. William James

    Best Actress

    • Sandra Bullock – The Blind Side as Leigh Anne Tuohy
    • Helen Mirren – The Last Station as Sofya Tolstoy
    • Carey Mulligan – An Education as Jenny Miller
    • Gabourey Sidibe – Precious: Based on the Novel “Push” by Sapphire as Claireece “Precious” Jones
    • Meryl Streep – Julie & Julia as Julia Child

    Best Supporting Actor

    • Matt Damon – Invictus as François Pienaar
    • Woody Harrelson – The Messenger as Capt. Tony Stone
    • Christopher Plummer – The Last Station as Leo Tolstoy
    • Stanley Tucci – The Lovely Bones as George Harvey
    • Christoph Waltz – Inglourious Basterds as Col. Hans Landa

    Best Supporting Actress

    • Penélope Cruz – Nine as Carla Albanese
    • Vera Farmiga – Up in the Air as Alex Goran
    • Maggie Gyllenhaal – Crazy Heart as Jean Craddock
    • Anna Kendrick – Up in the Air as Natalie Keener
    • Mo’Nique – Precious: Based on the Novel “Push” by Sapphire as Mary Lee Johnston

    Best Original Screenplay

    • The Hurt Locker – Mark Boal
    • Inglourious Basterds – Quentin Tarantino
    • The Messenger – Alessandro Camon and Oren Moverman
    • A Serious Man – Joel Coen and Ethan Coen
    • Up – Tom McCarthy, Bob Peterson and Pete Docter

    Best Adapted Screenplay

    • District 9 – Neill Blomkamp and Terri Tatchell from Alive in Joburg by Blomkamp
    • An Education – Nick Hornby from An Education by Lynn Barber
    • In the Loop – Jesse Armstrong, Simon Blackwell, Armando Iannucci and Tony Roche from The Thick of It created by Iannucci
    • Precious: Based on the Novel “Push” by Sapphire – Geoffrey Fletcher from Push by Sapphire
    • Up in the Air – Jason Reitman and Sheldon Turner from Up in the Air by Walter Kirn

    Best Animated Feature

    • Coraline – Henry Selick
    • Fantastic Mr. Fox – Wes Anderson
    • The Princess and the Frog – Ron Clements and John Musker
    • The Secret of Kells – Tomm Moore
    • Up – Pete Docter

    Best Foreign Language Film

    • Ajami (Israel) in Arabic and Hebrew – Scandar Copti and Yaron Shani
    • El Secreto de Sus Ojos (Argentina) in Spanish – Juan José Campanella
    • The Milk of Sorrow (Peru) in Spanish and Quechua – Claudia Llosa
    • Un Prophète (France) in French, Corsican and Arabic – Jacques Audiard
    • The White Ribbon (Germany) in German – Michael Haneke

    Best Documentary Feature

    • Burma VJ – Anders Østergaard and Lise Lense-Møller
    • The Cove – Louie Psihoyos and Fisher Stevens
    • Food, Inc. – Robert Kenner and Elise Pearlstein
    • The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers – Judith Ehrlich and Rick Goldsmith
    • Which Way Home – Rebecca Cammisa

    Best Documentary Short

    • China’s Unnatural Disaster: The Tears of Sichuan Province – Jon Alpert and Matthew O’Neill
    • The Last Campaign of Governor Booth Gardner – Daniel Junge and Henry Ansbacher
    • The Last Truck: Closing of a GM Plant – Steven Bognar and Julia Reichert
    • Music by Prudence – Roger Ross Williams and Elinor Burkett
    • Rabbit à la Berlin – Bartosz Konopka and Anna Wydra

    Best Live Action Short

    • The Door – Juanita Wilson and James Flynn
    • Instead of Abracadabra – Patrik Eklund and Mathias Fjellström
    • Kavi – Gregg Helvey
    • Miracle Fish – Luke Doolan and Drew Bailey
    • The New Tenants – Joachim Back and Tivi Magnusson

    Best Animated Short

    • French Roast – Fabrice O. Joubert
    • Granny O’Grimm’s Sleeping Beauty – Nicky Phelan and Darragh O’Connell
    • The Lady and the Reaper – Javier Recio Gracia
    • Logorama – Nicolas Schmerkin
    • A Matter of Loaf and Death – Nick Park

    Best Original Score

    • Avatar – James Horner
    • Fantastic Mr. Fox – Alexandre Desplat
    • The Hurt Locker – Marco Beltrami and Buck Sanders
    • Sherlock Holmes – Hans Zimmer
    • Up – Michael Giacchino

    Best Original Song

    • “Almost There” from The Princess and the Frog – Randy Newman
    • “Down in New Orleans” from The Princess and the Frog – Randy Newman
    • “Loin de Paname” from Paris 36 – Reinhardt Wagner and Frank Thomas
    • “Take it All” from Nine – Maury Yeston
    • “The Weary Kind (Theme from Crazy Heart)” from Crazy Heart – Ryan Bingham and T-Bone Burnett

    Best Sound Editing

    • Avatar – Christopher Boyes and Gwendolyn Yates Whittle
    • The Hurt Locker – Paul N.J. Ottosson
    • Inglourious Basterds – Wylie Stateman
    • Star Trek – Mark Stoeckinger and Alan Rankin
    • Up – Michael Silvers and Tom Myers

    Best Sound Mixing

    • Avatar – Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
    • The Hurt Locker – Paul N.J. Ottosson and Ray Beckett
    • Inglourious Basterds – Michael Minkler, Tony Lamberti and Mark Ulano
    • Star Trek – Anna Behlmer, Andy Nelson and Peter J. Devlin
    • Transformers: Revenge of the Fallen – Greg P. Russell, Gary Summers and Geoffrey Patterson

    Best Art Direction

    • Avatar – Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
    • The Imaginarium of Dr. Parnassus – Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
    • Nine – Art Direction: John Myhre; Set Decoration: Gordon Sim
    • Sherlock Holmes – Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
    • The Young Victoria – Art Direction: Patrice Vermette; Set Decoration: Maggie Gray

    Best Cinematography

    • Avatar – Mauro Fiore
    • Harry Potter and the Half-Blood Prince – Bruno Delbonnel
    • The Hurt Locker – Barry Ackroyd
    • Inglourious Basterds – Robert Richardson
    • The White Ribbon – Christian Berger

    Best Makeup

    • Il Divo – Aldo Signoretti and Vittorio Sodano
    • Star Trek – Barney Burman, Mindy Hall and Joel Harlow
    • The Young Victoria – Jon Henry Gordon and Jenny Shircore

    Best Costume Design

    • Bright Star – Janet Patterson
    • Coco Before Chanel – Catherine Leterrier
    • The Imaginarium of Dr. Parnassus – Monique Prudhomme
    • Nine – Colleen Atwood
    • The Young Victoria – Sandy Powell

    Best Film Editing

    • Avatar – James Cameron, John Refoua and Stephen E. Rivkin
    • District 9 – Julian Clarke
    • The Hurt Locker – Chris Innis and Bob Murawski
    • Inglourious Basterds – Sally Menke
    • Precious: Based on the Novel “Push” by Sapphire – Joe Klotz

    Best Visual Effects

    • Avatar – Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
    • District 9 – Dan Kaufman, Peter Muyzers, Robert Habros, and Matt Aitken
    • Star Trek – Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton

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Blippr › Recent Movie Blips:
  • =D
    Kentucky Fried Movie :: The satire/parody comedy that started it all, in my books. The boom mic gag sequence makes me cry with the laugher without fail :D
    1 month ago :: View blip
  • =D
    Hiroshima mon amour :: This is so right up my alley when it comes to movies; complex, subtle, insightful, difficult yet rewarding, and a formal tour-de-force. More Resnais please!
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  • =D
    La Jetée :: This is a monument of film. Its themes of time, memory, history and nostalgia deeply interest me, as do the philosophy and theory behind its main allegory.
    2 months ago :: View blip
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    Tout va bien :: My favorite Godard film so far; mostly because of its difficulty, colour, politics/opinions, and nuanced Brecthian self-reflexivity.
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    Avatar :: This actually really impressed me. The sights, colours, and atmospheres are unparalleled, and the rest of the film isn't as bad as I would have guessed.
    2 months ago :: View blip
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    Sherlock Holmes :: A movie by the numbers. The only acclaim I could give this film is how it will serve as the pedagogical model for formulaic action-fantasy films of the 2000s...
    2 months ago :: View blip
  • =|
    Southland Tales :: Hmm, not really sure what to think of this. There were a few crazy moments of Kelly's nostalgic, ethereal direction, but most of the time just kitsch and rehash
    2 months ago :: View blip
  • =)
    Natural Born Killers :: Very (overly?) stylish with some ridiculous characters and comedy. It sags in the middle but comes back screaming at the finale; very Tarantino-esque.
    2 months ago :: View blip
  • =(
    The Imaginarium of Doctor Parnassus :: I lost a lot of respect for Gilliam after seeing this total mess. Watch Brazil instead, please. There is nothing remotely meritorious about his newest venture.
    2 months ago :: View blip